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Paris Guide: Transportation —
Métro, bus, RER, airport, taxis, sighseeing buses
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Note: A price following by + means the price has not been updated for several years.

MÉTRO, BUS, RER
    HOW TO PAY THE FARE: For the MÉTRO (subway), RER (suburban rail system) stations within Paris, and Paris ( RATP) non-suburban buses, the easiest and cheapest way to pay the fare is to buy a “carnet” (car-NAY), a loose pack of ten tickets for €10,90. (Single tickets are about 30 percent more.) These are good on Métro, RATP bus, the Sacré Coeur cable car and the RER (suburban trains) within Paris.
    Put a ticket in the slot in the turnstile and it will pop out another slot and release the turnstile so you can pass through. (On buses, the driver may want to see your ticket before it is put in the slot of a nearby box.) KEEP YOUR TICKET. Inspectors could ask to see it, and on the RER you need to put the ticket into a turnstile again to get out. The Métro ticket is good on the RER within Paris, but outside Paris you need to buy a special ticket for the RER destination.
    There are also special tourist tickets for one, two, three or five days, but they’re not really a bargain unless you plan to do a lot of travel on the Métro.
    The best deal is the Carte Orange (cart o-RAW[n]juh), which you obtain at any Métro ticket window. You need a very small photo, available from machines in many Métro stations. You need to fill in your name and other information on the Carte Orange when you get it, affix the photo and seal it. The person at the ticket window will probably attach the photo. Once you have the Carte Orange, you can buy a weekly ticket (“coupon hébdomadaire (coupon hébdo) pour Paris”) (coo-POE[n] ebb-DOUGH poor paREE), good Monday through Sunday within Paris on Métro, bus and RER,  €15,60. You must enter the number from your orange card on the weekly coupon or you can be fined. You use the coupon (ticket) for entering the Métro and entering and exiting the RER. There is also a monthly coupon available if you will be there most of a calendar month.
    Free maps are available. Ask for a “plan” (plaw[n])  The “plan numéro un” (plaw[n]-noo-may-row AAH[n]) is a schematic map that is very easy to use; while the “plan numéro deux” shows major Paris streets with the actual routes of the Métro lines. 
    The MÉTRO LINES (“lignes” - leanyuh) are numbered, 1 through 14, and relatively easy to use. There are wall maps and some electronic maps in the stations. Also, near the exits there are often large detailed maps of the area around the station.
    The only way to tell whether you are on the platform for trains going the direction you want is to know the terminus (end station) name of the line. There are also sometimes signs on the wall as you enter a corridor leading to a platform that list all the stops of trains on that platform. The terminal names are often complex French proper nouns that you will have to try hard to remember (like Villejuif-Aragon, Malakoff-Rue Étienne Dolet, Gabriel Péri/Asnières-Genneviliers, etc.). Signs on the platform indicate the destination terminal, identified by “Direction” - for example “Direction Porte de la Chapelle.” If you’re going to the outskirts, note that some lines split, and trains go to different destinations. The name of the terminus or end station is shown on the train, and there is sometimes an electronic sign in the station indicating where the next train is going.

    Other important signs in the Métro:
     “Sortie” = Exit
    “Correspondence” = Connections (to other lines)
    “Passage interdit”= Do not enter (literally, “passageway forbidden”)
   
    Some Métro lines (especially 1 and 4) seem to be crowded at all times, while others are often not crowded at all. Be on the lookout for PICKPOCKETS at all times, but especially in the Métro and tourist areas. Almost everyone we know has had problems this way. Be especially alert in crowded Métro trains. If someone seems to be too close, pushing very hard, staring at you, trying to get your attention, or you feel a tug on your purse or a hand in your pocket, be alert and ready to defend your property. Often one culprit will distract you in some way while his or her accomplice does the dirty work. See DOCUMENTS in MONEY AND DOCUMENTS, for some suggestions on safeguarding your passport, etc.

    The RER is VASTLY MORE COMPLICATED than the Métro, and making a mistake can take you disastrously far outside Paris, far from your destination, in the wrong direction or on the wrong line. The faint-hearted should not attempt the RER without very specific directions, such as those below for getting from the airport to Paris, and probably not then.

GETTING TO PARIS FROM THE CHARLES DE GAULLE AIRPORT (CDG)

    Detailed maps of the Charles de Gaulle airport (CDG) (Aéroport Charles de Gaulle (sharluh-duh-GOAL, more commonly known as also known as “Roissy” (rwah-SEE) terminals can be found at the  French Web site:  http://www.aeroportsdeparis.fr/ADP/fr-FR/Passagers/DansAeroport/LesTerminaux/
To download any of the maps, click on “télécharger.”

          BUSES FROM THE CDG AIRPORT:  THE BEST, THOUGH NOT ALWAYS THE QUICKEST, WAY INTO PARIS unless you want to spend a fortune on a taxi is on a shuttle bus to Opéra, Étoile (Arc de Triomphe) or Port Maillot, and then take a taxi or a Métro train to your destination. 
          This site says it better than we can: http://www.paristoolkit.com/airport/paris_cdg_bus.htm
          RER TRAIN FROM CDG AIRPORT
    Although we don’t generally recommend the RER in general, if you are moderately brave, you can take a train into Paris from Aéroport Charles de Gaulle (CDG) on Line B (you don’t need to know that) of the RER (air-uh-AIR) suburban train network.
    The trains run about every 15 minutes and start at Terminal 2 (Aérogare 2, ) then stop at Terminal 1, before going into Paris. There are quite a few local stops along the way and at rush hour the trains are full of commuters.
    If you come in to Terminal 2, the train station is downstairs between Terminals 2C/2D and 2E/2F
    You need to go down an escalator to the ticketing area, and you can’t take a luggage cart onto the escalator.
    The fare is about €8+. You can either go to a ticket window or (much faster, if they’re working) to a ticket machine (if you have coins). (The machines appear to accept credit cards, but probably not yours - only the European kind with a memory chip built in.)
    For the ticket machine, input your station — probably “Paris” or “Île de France.” You need to select what kind of ticket — one way is probably “aller simple”(round trip is “aller et retour”).
    If you go to the ticket window, just say “Paris one-way” in English or “Paris allée simple (paREE, allay SA[n]-pluh).
    After you get your ticket, find the escalator that goes down to the track level. Before the escalator (I believe) there is a turnstile you must put your ticket in. The ticket will come back out a foot or so ahead of the slot you put it into. Be sure to keep the ticket, as you need it again to get out of the RER, and it might be checked on the train. Don’t try to carry or push your suitcase through the turnstile. There is a place to the right or left where you can slide your suitcase through, then retrieve it from the other side.
    All trains go to Paris, unless you accidentally went down the escalator to the TGV  (high-speed long-distance train) station. Depending on where you are going, you will probably want to get off at MADELEINE, SAINT MICHEL or LUXEMBOURG.
    You will NEED TO USE YOUR TICKET in the turnstile TO GET OUT or to continue on the Métro.

TAXIS
         If the light on the top of the taxi is lit, it means it is available. However, “hailing” a taxi is not as common (or successful) as in the U.S. There are over 500 taxi stands in Paris, and the easiest way to get a taxi is to go to one of these and stand in line.
    There is a supplement for evening, weekends, suitcases, more than three passengers (most cabs won’t or can’t accommodate four), etc.
    Mostly you won’t be cheated. A TIP of about 10% (perhaps even 15%) seems acceptable.
    It’s a good idea to have your destination address written on a slip of paper for the driver.

SIGHTSEEING BUS TOURS
    A good way to get around the first day or two is to take one or more of the doubledeck (“London-style”) tourist buses. You can buy a ticket on the bus at one of the many attractions the buses stop at. Tickets are good for a day or two and you can get on and off the bus at any of a number of the major sights, then get on a later bus and proceed to a different stop. This will give you a good overview of Paris. You may want to stay on the bus for the entire circuit the first time around and decide where you might want to stop later. You will see a lot more than if you take the Métro.
    The following is from Jason Stone’s interesting Web site, which may not be active, as he has left Paris, from http://jasonstone.typepad.com/nycaparis/paris/ If you can’t reach that site, try “Jason Stone” Paris on Google to go to the Google cache.
    “There seem to be two major bus companies: the Red Bus Tour and the Open Tour. The Red Bus costs €22+ for one day. You can usually buy the tickets at your hotel. The Red Bus looks just like the ones you have seen in London. The Red Bus seems to follow one route and it covers most of the major sites.
    “The Open Tour offers a one-day pass for about €25+ or a two-consecutive-day pass for €28. The Open Tour has four ‘circuits’ and it seemed to cover a lot more of Paris. Of course, I got a little greedy and I decided we should go with Open Tour, because of the additional ground it covered. Unfortunately, I did not factor in how much time it takes when you stop to visit one of the "tourist attractions." By the end of our day, we had only completed one of the four circuits.
    “In my humble opinion, if something like this interests you and you only have one day, I would take the Red Bus Tour. If you have two days, then I would take the Open Tour.”
    You will find these buses at all major sightseeing destinations, and you can buy your ticket on the bus. You are given free earphones to plug in for the narrative, available in five or six languages.