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My
novel, The slant hug o’
time, is scheduled for publication by Kitsune Books on September
5, 2012.
The following are among
“blurbs”
are planned for the back cover:
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“Playfully earnest and pleasantly
baffling, The slant hug
o’ time is a work like
no other. Enabled by rhymes, puns, anagrams, science, pseudo-science,
reason and unreason, it joyfully elides the past, present, and future,
along with (I believe) new time zones yet to be discovered. In other
words: it’s a slippery world out there, and welcome to it.”
Jim Krusoe (Toward You, Tin
House Books)
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“In its manner of telling, The slant hug o’ time mimes ENTROPY. Time “just spirals back on itself, like
a rhyme.” Smith plays with time (as he plays with language) and time
plays with his characters. Everything goes to pieces before the Gates
of Pearl or Peril…. I was
thinking Nabokov’s Ada meets Vonnegut’s Billy Pilgrim, swinging about
in maybe parallel worlds and jigaboo time.”
Tom
Smith (Jack’s Beans:
A Five-Year Diary, Birch
Brook Press)
And
a few more comments:
…Beautiful,
sweet, funny (very), elegantly written and utterly original.
…I
had joy in the energy and irreverence of the language…
…What
an amazing book! […} a treat and a welcome relief from most of what
I read, and different.
…a
page-turner.
…the
shadow of Gertrude Stein here, but without the “look how original I
am posture.”
Described by
one
reader as “post-cyberfunk” (whatever that might be), The
slant hug o’ time is the
wacky fictional memoir of a gay narrator who tells a tale of
conspiracy and bizarre science that stretches from his grandfather’s
interest in technology (stemming from a visit to the 1893 Chicago
world fair) — through “Time Gaps” and into the mid-21st
century after the government in Washington (and most other nations)
is transformed into loose federations or “confedos.” Along the
way the reader encounters bizarre participants in a secret 1920s-30s
experimental laboratory/think tank that develops a plan to change the
world; his favorite high school English teacher, who helps carry out
that plan, gains great power and corrupts the Internet and all
electronic data; a gay Arab prince who briefly controls half of
Europe; and a handful of other seemingly ageless characters who are
intimately involved in transforming the world, along with a number of
the narrator’s several lovers. This all takes place in Ohio
(“Heventon,” Lima, Cairo, the Blue Hole), New York City, and
California, as well as Dresden, Cairo, Ouagadougou, South Africa and
the Middle East.
The text is riddled with
somewhat
absurd if not ludicrous scientific, political, philosophical and
cosmologic elements, and all this is cast in the author’s
intricately
crafted prose, which is enhanced with anagrams, alliteration and
embedded rhymes, often drifting into a sometimes lyrical poetic form
that can resemble rap.
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